#TRUE AUTUMN DRAMATIC CLASSIC 2017 SERIES#

Have delicate bones or extremely small hands and feet.Have extremely large bones or extremely large hands and feet.Have extremely exotic or overly lush facial features.The heavier you get, the more pear-shaped you become. You rarely gain weight around the bustline. If overweight: Excess weight shows up right away and collects from the waist down. You seem to gain weight in the hips and thighs. Hair: May be thick and straight or fine and silky but rarely coarse. Possibly wavy/curly.Ĭoloring: Any coloring is possible(warm or cool, high-contrast or blended). This is actually an illusion because your bone structure remains the same.įacial Features: Usually moderate to large eyes, moderate lips.

Therefore, slight deviation here or there is always possible and should not be worried over if it does not upset your Yin/Yang balance.īone Structure: Symmetrical, with slightly angular edges. Straight and slightly wide. Shoulders are tapered or slightly square, usually narrow. Slightly squarish hands and feet. Slightly sharp, angular or squarish facial contours (jawline, nose, cheekbones).īody Type: Fairly trim and compact when at an ideal weight. Slightly muscular when at ideal weight. Bustline, waist and hips are somewhat straight and in even proportion when at ideal weight. On occasion slightly short-waisted. Legs and arms tend to be average or slightly long. Your body type will seem to radically change when you gain even a little weight. It is the overall combination of the balance between Yin and Yang leaning (slightly angular physicality with a coolly sophisticated essence) that creates this Image Identity category. NOTE: The following information should be taken as a broad outline of what makes a Dramatic Classic. The following are Kibbe’s descriptions of a Dramatic Classic Body Type: Kibbe’s Dramatic Classic is described as a “Tailored Chic.” You can read more about Kibbe’s Dramatic Classic here. This week we will look at Kibbe’s Dramatic Classic – a blended type that has slightly more yang to add a bit of extra drama to the features. When we looked at the Classic ID, we had a type that was a total blend of yin and yang. All of our remaining main types have two subtypes each – one that has more yin overtones and another that has more yang overtones. As always, you may want some tea.Īt this point we’ve covered the five main types (Dramatic, Romantic, Classic, Gamine, and Natural), and first two subtypes (Soft Dramatic and Theatrical Romantic) in Kibbe’s system.

#TRUE AUTUMN DRAMATIC CLASSIC 2017 SERIES#

The posts in this series are intended to be a well researched and thorough investigation of the Kibbe style recommendations, along with several example patterns for each “level of dress.” The posts in this series will be picture heavy and quite lengthy. In the end, Bowie’s songs are glorious the show itself, alienating.For an introduction to the Sew Your Kibbe Series, please see this post. If there’s a reason to attend 'Lazarus' for anyone other than Bowie fans, it’s to see how the daring director Ivo van Hove keeps it all together through exquisite design and fiercely committed actors. It makes you wish 'Lazarus' were a 60-minute music video instead of this earthbound, avant-garde misfire. However, the actors’ thoughtful, aching renditions of Bowie’s songs – 'Changes,' 'Heroes' and, of course, 'Life on Mars' - are gorgeously orchestrated and hauntingly sung.

Irish playwright Enda Walsh churns out fragmentary, often banal dialogue that frustrates emotional or intellectual connection with the characters. There’s a young girl who flits in and out of Newton’s minimalist studio: is she real or some psychic projection? Like most questions in the surreal, defiantly weird narrative, there’s no straight answer. Michael Esper is a murderous stranger called Valentine. The waifishly intense Cristin Milioti plays Newton’s assistant, who becomes romantically obsessed with him and his dead ex-lover. Hall plays the stranded alien Thomas Newton, whom Bowie portrayed in the 1976 film 'The Man Who Fell to Earth.' The musical constitutes a kind of sequel.Ī drunk and depressed Newton guzzles gin and wallows in homesickness, haunted and stalked by ghostly or demonic figures. Thank goodness for those famous tunes to keep us engaged. A trippy, multimedia fantasia about an extraterrestrial pining for home, the piece runs purely on dream logic. However, don’t expect it on Broadway anytime soon. It re-packages his classic hits as well as new songs. You could call 'Lazarus' a David Bowie jukebox musical. Time Out New York's David Cote filed the following review for NY1. David Bowie's latest project is a new musical titled 'Lazarus' that is now playing off-Broadway at The New York Theatre Workshop.

True autumn dramatic classic 2017